The main figures of speech used in Albanian and Anglo-Saxon epic songs and ballads
| Date | 01 January 2018 |
| Author |
European Journal of Economics, Law and Social Sciences
IIPCCL Publishing, Graz-Austria
Vol. 2 No. 1
January, 2018
ISSN 2519-1284
Acces online at www.iipccl.org
233
ThemainguresofspeechusedinAlbanianandAngloSaxonepicsongsand
ballads
PhD (C.) Danela Bala- Kraja
University of Shkodra
Abstract
When we speak about ballads we haveto take into consideration the fact that they were
wrienalong timeago andweremainlycomposed bysimplepeople toreportevents from
their lifespan and in some instances their intention was to commemorate their dierent
important events as they were witnessing them. Ballads and epic songs were full of emotions
astheytransmied informationandfeelingsnot onlyaboutpeopleslivesinversesbutthey
also introduced important historical events such as bales or duels to protect their own
boundaries, personal and family honour but they were also dedicated to their mothers,
fathers, siblings, sons, daughters, boyfriends or girlfriends and to simple aspects of life. The
mentaldevelopmentwasdierentfromtheonewehavetodayand consequentlythatreality
wasreectedeveninthe styleorguresofspeech ofballadsorepicsongs thathavearrived
tillnowadaysintheformtheywereoriginallywriennotbeingelaborated
Keywords: Figure, Albanian, Anglo-Saxon, songs.
Introduction
Ballads and epic songs are usually composed in a simple style at the beginning which
goes on with a rising one as they lay out the nature of characters’ descriptions. Some
ofthe main guresof speech displayedin themare epithet metaphoranaphora
hyperbolealliterationsimileironypersonicationandsoon
As above mentioned their style is simple and that simplicity is demonstrated in their
plotelaboration which inmany cases isdirectly mentioned inthe title orthe rst
beginning verses. This can be seen in the Albanian epic song ‘Halili mas deket’‘Halil
aerdeathortheAngloSaxonballadThe unquietgrave Bardswhencomposed
them took the gures of speech by their concrete natural environment dierent
natural phenomena, mountains, forests, rivers, weather, sun and moon observations
thathelpedtocreatebeerdelineationmorevividdescriptions ofideasstoriesand
to be nearer to the listener or reader.
Oneof themostcommon andfrequently usedgure ofspeech isepithetwhich is
found in several Anglo- Saxon ballads. They are short, easy to understand but very
usableandtheyare oenfoundreadyintheform ofclichésandaremainlyusedin
ballads such ‘the green grass’, ‘the salt sea’ ‘the shadowy hills’ horses are described
as ‘milk- white’, ‘berry- brown’ lips as ‘rosy’ or ‘rugby- red’, corpses and tombs are
claycoldbeds likethatof BarbaraAllenso andnarrowMoreoverthey fulll
the sentence meaning and one of the above mentioned epithets is illustrated in the
ballad in the verses from ‘Lord Lovel’:
He order’d the grave to be open’d awide,
And the shroud to be turn’d around;
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