The Future of Nature: Documents of Global Change, edited by Libby Robin, Sverker Sörlin and Paul Warde, published by Yale University Press, 2013, 512 pp., £20.00, paperback.

DOIhttp://doi.org/10.1111/reel.12166
Date01 July 2016
Published date01 July 2016
AuthorVito De Lucia
The Future of Nature:
Documents of Global
Change, edited by Libby
Robin, Sverker S
orlin and
Paul Warde, published by
Yale University Press, 2013,
512 pp., £20.00, paperback.
Environmental law is the branch of
law perhaps most permeable to,
and dependent on, other elds of
knowledge. Indeed, concepts, cat-
egories and values of other elds of
knowledge traverse environmental
law in multiple ways and help shape
its very identity. The degree of
receptiveness given to ecological
values and concepts has even been
the measure for evaluating succeed-
ing paradigms of environmental
law.
1
Various strands of environ-
mental ethics also bear heavily on
the identity and normative horizon
of environmental law.
2
Moreover,
largely thanks to these multiple per-
meabilities, environmental law is
increasingly and perhaps inevit-
ably hotand contested.
3
The pre-
sent volume offers to be in this
respect a precious resource for envi-
ronmental lawyers and legal schol-
ars for reection and re-visioning
(at xii), as the editors explicitly sug-
gest. The breadth of its scope, as
well as the carefully chosen the-
matic areas, delineate important
conceptual genealogies and raise
important questions in relation to
key concepts which are used in legal
discourse and doctrinal interpreta-
tion, though perhaps too often with-
out sufcient critical reection.
4
The book is conceived of as an
archive(at 4), whose goal is that of
linking the future of nature with the
history of global change science and
to the emergence of a series of key
concepts and themes that traverse
environmental discourse in mul-
tiple and often problematic ways.
Yet the editors do not claim to offer
acanon(at 4), and their particular
selections, interpretations [and]
suggestions(at xii) are but one way
(out of many possible ways) to docu-
ment global change from the per-
spective of historians (indeed, all
editors are historians). The very
choice of an anthology suggests, as
the editors underline, the wish to
start a conversation (we donttella
single story, but rather allow access
to the stories that shaped us(at xii)).
The future of nature, the editors
suggest, is dependent on four over-
arching frames that collectively
embody a particular mode of
engagement with both the idea of
nature and the idea of the future.
These four particularly prominent
(at 6) concepts, which traverse and
give coherence to the entire book,
are: future, prediction, expertise
and environment. Indeed, the
future is a key preoccupation of
modernity, where all that is solid
melts into air, and is swept away
by progress and change;
5
and of
the Anthropocene, where nature,
entirely submitted to humanitys
pervasive presence, is a human
environment,
6
and the future (of
both humans and of nature) can be
managed through prediction elabor-
ated by experts. The book is struc-
turally organized in 10 thematic
sections (population; sustainabi-
lity; geographies; environment; eco-
logy; technology; climate; diversity;
measuring; Anthropocene), each of
which presents an introduction, an
anthology of essays (or extracts
thereof) and brief commentaries
contextualizing each essay.Each the-
matic section is in turn organized
around a central question, a choice
that makes the relevance of the indi-
vidual themes immediately visible to
the reader. As the editors rightly
emphasize in fact, [f]ollowing the
developmentof key ideas historically
allows readers to think about the
questions they raise and the context
in which theywere discussed(at 4).
While each of these thematic areas
are interesting and would merit
specic discussion, for reasons of
space and because each theme
opens up a series of complexities
that cannot be addressed in a book
review, I will limit my discussion to
a few illustrative points, without
necessarily touching upon each of
the thematic sections.
The rst thematic area, popula-
tion, addresses a key problem of
our contemporaneity, yet the
1
See, e.g., D. Tarlock, ‘The Nonequilibrium
Paradigm in Ecology and the Partial Unravel-
ing of Environmental Law’, 27:3 Loyola
University of Los Angeles Law Review
(1994), 1121; M. Tallacchini, ‘A Legal Frame-
work from Ecology’, 9:8 Biodiversity and Con-
servation (2000), 1085; R. Brooks, R. Jones
and R. Virginia, Law and Ecology: The Rise
of the Ecosystem Regime (Ashgate, 2002).
2
See, e.g., D. Wilkinson, ‘Using Environ-
mental Ethics to Create Ecological Lawʼ, in:
J. Holder and D. McGillivray (eds.), Locality
and Identity: Environmental Issues in Law
and Society (Ashgate, 1999), 19; M. Tallac-
chini, n. 1 above; and C. Cullinan, Wild Law:
A Manifesto for Earth Justice (Siber Ink,
2002).
3
E. Fisher, ‘Environmental Law as “Hot”
Law’, 25:3 Journal of Environmental Law
(2013), 347; see also V. De Lucia, ʻCompet-
ing Narratives and Complex Genealogies:
The Ecosystem Approach in International
Environmental Lawʼ, 27:1 Journal of Environ-
mental Law (2015), 91.
4
One example is the otherwise well-reflected
and innovative branch of legal philosophy,
Earth Jurisprudence. The concept of nature
however remains problematically under-
explored (as suggested by A. Schillmoller
and A. Pelizzon, ‘Mapping the Terrain of
Earth Jurisprudence: Landscape, Thresholds
and Horizons’, 3:1 Environmental and Earth
Law Journal (2013), 1) precisely at a time
when the category of ‘nature’ is in many ways
unravelling. Is the concept of nature merely a
deviceof the political epistemologyof modern-
ity, as Bruno Latour suggests? Is the future of
nature inevitably linked to the Anthropocene,
which in turn means that we can no longer
speak of nature, but only of a ‘post natural’
world (where there is no longer wild nature),
or only of ‘ecology without nature’? See
respectively, B. Latour, ‘An Attempt at a
“Compositionist Manifesto”’, 41:3 New Liter-
ary History (2010), 471; and T. Morton,
Ecology without Nature. Rethinking Environ-
mental Aesthetics (Harvard University Press,
2009).
5
See, e.g., M. Berman, All that is Solid Melts
into Air: The Experience of Modernity (Pen-
guin Books, 1988). This particular turn of
phrase was originally and famously coined in
Karl Marx and Friedrich Engels’ Communist
Manifesto.
6
This clearly emerges from key texts of the
international legal canon, such as the Stock-
holm Declaration on the Human Environ-
ment, found in: Report of the UN Conference
on the Human Environment (UN Doc. A/
CONF.48/14, 16 June 1972).
ª2016 John Wiley & Sons Ltd
270
BOOK REVIEWS RECIEL 25 (2) 2016
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