Theatre the most communicating form of consciousness, scenic convention, its inevitable relationship with the spectator

• Author: Rozina Kostani
• Position: University of Arts Tirana
• Pages: 155-158

Academic Journal of Business, Administration, Law and Social Sciences

IIPCCL Publishing, Tirana-Albania

Vol. 2 No. 2

July 2016

ISSN 2410-3918

Acces online at www.iipccl.org

155

Theatre the most communicating form of consciousness, scenic convention,

its inevitable relationship with the spectator

Doc. Rozina Kostani

University of Arts Tirana

Abstract

Nowadays the problem of the spectators is the most important and hard one to confront. We

see that the regular spectator is not that much lively and surely not that much loyal, therefore

we go towards young spectators. It is true that the younger the spectator, the more vivid and

spontaneous his reactions are and it is also true that what keeps the youth away from theatre

isbadtheaterWillingtohavemorespectatorsweoenndourselvestryingindiferentways

such as: you should come tonight, it will be fun...In one way all kinds of seductions towards

thespectators irtdangerously withthe sameproposal comeand bepart ofthe goodlife

whichisgoodand somustbebecauseitcontainsthebestThethingisnotjustto aractthe

spectator, that is not enough. The hardest part is to create works that breed in him undeniable

hungerandthirstTowhatpointdoesthe formacceptthearticialityThisisoneofthebig-

gest problem we barge today and will barge for a long time. By approving to ourselves the

grotesque masks, exaggerated make-up, precious costumes, declamations, borrowed move-

ments from ballet, we will never get out of the routine of traditional theatral art.

Keywords: theater, spectators, art, form, universal.

Introduction

A dramatic part can not live without theatre, just like theatre can not exist without

spectators. When it comes to theatre besides as an art, it is understod also the building

or place where the theatrical artistic act comes alive (and starts breathing). Theatre is

averyspecicactanditisalwaysimplementedinthepresenceofviewersspectators

who aend and become part of this family as receptive and also as instigators

Without which theatre can not exist. It does the connection with the public as one of

the most important conditions for the establishment of a dialogue with civic concern

for life, history, morality and spirituality, social and political phenomena,

transformations of consciousness etc. The history of World Theater, has known

periods, performances or moments of perception where the spectators, possessed by

ideas of theater, have initiated social processes within themselves, not only as public

but also as ethnic, social and political communion. Also the Albanian theatre has tried

to accomplish this mission. Many performances during the Renaissance and

IndependenceorgatheringsaretransformedintodirectpoliticaleectsAlsoduring

World War II. Also in the earliest- distant phase, on the eve of the overthrow of the

dictatorship in the 1990s there were some performances that inspired and encouraged

politicalreactionswhereIcanmentionNightwithoutMoondirectedbyEdmond

Budina. The presence of antique, monumental and architectural, Illyrian theaters

centers as Apollonia, Butrint, Bylis (Hekal), Nikon (Klos), Orik Foinika (Phoenicia),